Home TV Shows Reviews ‘Black Trick: The Lawyer Who Controls Justice’ (2026) Netflix Series Review - The Truth Sometimes Needs a Lie

‘Black Trick: The Lawyer Who Controls Justice’ (2026) Netflix Series Review - The Truth Sometimes Needs a Lie

Working alongside the uncompromising lawyer En Aso, Uramawashi constructs elaborate deceptions to expose corruption, dismantle fabricated evidence, and defend those condemned before the truth has a chance to emerge.

Anjali Sharma - Thu, 06 Aug 2026 20:33:53 +0100 143 Views
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Midgard Times
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In a society where public opinion is increasingly shaped by social media, misinformation, and media trials, former attorney Naoto Uramawashi returns with an unconventional philosophy: if lies are powerful enough to destroy justice, perhaps they're also powerful enough to restore it. Courtroom dramas usually celebrate honesty. Black Trick begins with a far more provocative question. What if honesty simply isn't enough? It's an intriguing premise because the series isn't interested in whether lies are good or bad. It's interested in who gets to weaponise them.


Naoto Uramawashi is unlike the traditional television lawyer. Once celebrated as the "Acquittal Specialist," he lost his legal licence after crossing a line the profession couldn't forgive. Unable to argue cases himself, he instead operates from the shadows, designing intricate strategies that allow others to expose truths buried beneath manufactured narratives. It's a clever twist on the genre that immediately distinguishes Black Trick from more conventional legal procedurals.


GACKT proves to be an inspired choice for the role. His naturally commanding screen presence suits Uramawashi perfectly. Rather than portraying him as an eccentric genius in the Sherlock Holmes mould, GACKT leans into quiet confidence. Uramawashi rarely appears rushed or flustered. He watches, listens, and waits, allowing others to underestimate him before quietly shifting the balance of power. It's a restrained performance. And a surprisingly effective one.


Mirai Shida provides an excellent counterweight as En Aso, the principled lawyer whose unwavering honesty contrasts directly with Uramawashi's morally ambiguous methods. Their partnership forms the emotional and philosophical centre of the series. One believes justice must remain uncompromised. The other believes justice occasionally requires compromise to survive. Neither perspective is treated as entirely correct. That's where the drama finds its tension.


The series also benefits from its contemporary setting. Rather than focusing solely on courtroom procedure, Black Trick explores how reputations can be destroyed long before a judge enters the courtroom. Public opinion, viral misinformation and media narratives become almost as powerful as legal evidence, making the show's central premise feel increasingly relevant. Justice isn't merely decided in court. It's often decided online first. That observation gives the series an identity beyond simply solving legal disputes.


Visually, Black Trick adopts a polished, modern style without becoming overly flashy. The direction emphasises careful observation over spectacle, allowing conversations and strategic confrontations to generate suspense rather than relying on exaggerated courtroom theatrics. It feels appropriately measured for a story built around psychological manoeuvring instead of physical action.


What I appreciated most is that the show embraces moral ambiguity without becoming cynical. Uramawashi isn't presented as a flawless vigilante. His methods are intentionally uncomfortable. The series repeatedly asks whether manipulating events in pursuit of justice is fundamentally different from manipulating them to avoid it. That ethical uncertainty remains far more compelling than simple good-versus-evil storytelling. At the same time, Black Trick occasionally risks becoming a little too enamoured with its own concept. The emphasis on elaborate strategies and carefully constructed deceptions sometimes overshadows the emotional lives of the people at the centre of each conflict. The intellectual game remains engaging, but I occasionally wished the human consequences lingered a little longer.


The pacing can also feel uneven. Certain investigations unfold with satisfying precision, while others spend slightly too much time explaining their central ideas instead of trusting the audience to follow them naturally. The series' confidence in its premise is admirable, but there are moments where a little more restraint would've made its twists land even harder. The supporting cast similarly feels somewhat underutilised. While everyone performs well, several characters function primarily to support Uramawashi's journey rather than emerging as fully realised individuals in their own right. Still, these are relatively minor shortcomings. Black Trick succeeds at the one thing every legal thriller needs to do. It makes arguments exciting through competing ideas about what justice actually demands. That's a much richer conflict.


Black Trick: The Lawyer Who Controls Justice is a confident and thought-provoking legal thriller built around an original premise and a commanding lead performance from GACKT. By examining how truth, public opinion, and deception intersect in the modern legal system, the series offers a fresh perspective on courtroom drama without abandoning the genre's familiar pleasures. Although some investigations prioritise cleverness over emotional depth and the supporting cast could be more fully developed, the show's willingness to explore the uncomfortable ethics of fighting lies with lies gives it a distinctive identity that lingers well beyond the verdict.


Final Score- [8/10]
Reviewed by - Anjali Sharma
Follow @AnjaliS54769166 on Twitter
Publisher at Midgard Times

 

 

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